From Chapter 2:
It chaunc'd me gazing at the Theater,
To spie a Lock-Tabacco Chevalier
Clowding the loathing ayr with foggie fume
Of Dock Tobacco friendly foe to rhume—

says a versifier of 1599, who did not like smoking in the theatre and so abused the quality of the tobacco smoked—though admitting its medicinal virtue. Dekker suggests, probably with truth, that one reason why the young gallant liked to push his way to a stool on the stage, notwithstanding "the mewes and hisses of the opposed rascality"—the "mewes" must have been the squeals or whistles produced by the instrument which was later known as a cat-call—was the opportunity such a prominent position afforded for the display of "the best and most essential parts of a gallant—good cloathes, a proportionable legge, white hand, the Persian lock, and a tolerable beard." Apparently, too, serving-boys were within call, and thus lights could easily be obtained, which were handed to one another by the smokers on the points of their swords.

From Chapter 6:
Addison and Steele smoked, and so did Prior, who seems to have had a weakness at times for low company. After spending an evening with Oxford, Bolingbroke, Pope and Swift, it is recorded that he would go "and smoke a pipe, and drink a bottle of ale, with a common soldier and his wife, in Long Acre, before he went to bed." Some of Prior's poems, as Thackeray caustically remarks, smack not a little of the conversation of his Long Acre friends. Pope for awhile attended the symposium at Button's coffee-house, where Addison was the centre of the coterie—he describes himself as sitting with them till two in the morning over punch and Burgundy amid the fumes of tobacco—but such a way of life did not suit his sickly constitution, and he soon withdrew. It is not likely that he smoked.