From Chapter 2:
An amusing example of the bragging "tobacconist" is pictured for us in Ben Jonson's "Bobadil." Bobadil may perhaps be somewhat of an exaggerated caricature, but it is probable that the dramatist in drawing him simply exaggerated the characteristic traits of many smokers of the day. This hero, drawing tobacco from his pocket, declares that it is all that is left of seven pounds which he had bought only "yesterday was seven-night." A consumption of seven pounds of tobacco in eight days is a pretty "tall order"! Then he goes on to brag of its quality—your right Trinidado—and to assert that he had been in the Indies, where the herb grows, and where he himself and a dozen other gentlemen had for the space of one-and-twenty weeks known no other nutriment than the fume of tobacco. This again was tolerably "steep" even for this Falstaff-like braggart. He continues with more bombast in praise of the medicinal virtues of the herb—virtues which were then very firmly and widely believed in—and is replied to by Cob, the anti-tobacconist, who, with equal exaggeration on the other side, denounces tobacco, and declares that four people had died in one house from the use of it in the preceding week, and that one had "voided a bushel of soot"!

From Chapter 6:
At si
Mundungus desit: tum non funcare recusant
Brown-Paper tostâ, vel quod fit arundine bed-mat.

Tobacco, in Queen Anne's time, still maintained its hold over large classes of the people, and was still dominant in most places of public resort; but there were signs of change in various directions as we have seen, and smoking had to a large extent ceased to be fashionable. Pepys has very few allusions to tobacco; Evelyn fewer still. There is little evidence as to whether or not the gallants of the Restoration Court smoked; but considering the foppery of their attire and manners, it seems almost certain that tobacco was not in favour among them. The beaux with their full wigs—they carried combs of ivory or tortoiseshell in their pockets with which they publicly combed their flowing locks—their dandy canes and scented, laced handkerchiefs, were not the men to enjoy the flavour of tobacco in a pipe. They were still tobacco-worshippers; but they did not smoke. The Indian weed retained its empire over the men (and women) of fashion by changing its form. The beaux were the devotees of snuff. The deftly handled pinch pleasantly titillated their nerves, and the dexterous use of the snuff-box, moreover, could also serve the purposes of vanity by displaying the beautiful [97]whiteness of the hand, and the splendour of the rings upon the fingers. The curled darlings of the late seventeenth century and the "pretty fellows" of Queen Anne's time did not forswear tobacco, but they abjured smoking. Snuff-taking was universal in the fashionable world among both men and women; and the development of this habit made smoking unfashionable.