From Chapter 1:
Wherever Raleigh is known to have lived or lodged we are sure to find the tradition flourishing that there he smoked his first pipe. The assertion has been made of his birthplace, Hayes Barton, although it is very doubtful if he ever visited the place after his parents left it, some years before their son had become acquainted with tobacco; and also with more plausibility of his home at Youghal, in the south of Ireland. Froude, in one of his "Short Studies," quotes a legend to the effect that Raleigh smoked on a rock below the Manor House of Greenaway, on the River Dart, which was the home of the first husband of Katherine Champernowne, afterwards Raleigh's wife; and Devonshire guide-books have adopted the story.

From Chapter 7:
Throughout the eighteenth century the use of tobacco for smoking was largely confined to the middle and humbler classes of society. To smoke was characteristic of the "cit," of the country squire, of the clergy (especially of the country parsons), and of those of lower social status. But at the same time it must be borne in mind that then, as since, the dictates of fashion and the conventions of society were little regarded by many artists and men of letters.

In the preceding chapter I quoted from Addison's diary of a retired tradesman in the Spectator of 1712. The periodical publications of a generation or so later paid the great essayist the flattery of imitation in this respect as in others. In the Connoisseur of George Colman and Bonnell Thornton, for instance, there is, in 1754, the description of a citizen's Sunday. The good man, having sent his family to church in the morning, goes off himself to Mother Redcap's, a favourite tavern—suburban in those days—or house of call for City tradesmen. There he smokes half a pipe and drinks a pint of ale. In the evening at another tavern he smokes a pipe and drinks two pints of cider, winding up the inane day at his club, where he smokes three pipes before coming home at twelve to go to bed and sleep soundly.